Do you think there are infrastructural barriers to entry for young people interested in opera or more classically-minded original composition?

I was terrified that I was going to misquote some of your lyrics to you, so while covering my bases on that I noticed that you’re active on Genius.

You mentioned via email that you’ve got a full-time job outside of music.

From what I could find of your older work, you started out in a much more straightforward hip-hop lane than where Reducer sits. Is there anything specific that brought about the change?

So do you guys feel like you’re being chased around different boroughs as people catch up to whatever the new scene is?