-
6/15/2017
A Guide to Quiet StormI was about 17 when I first heard Sade. The xx (real heads know them as The 20), extremely poppin’ at the time, had a habit of name-dropping her in every interview they did, and after three or four instances thereof I was finally moved to give Promise a spin. It was a soothing presence in a turbulent time, an outside source of calm when all internal reserves had been biologically de-commissioned.
continue reading -
6/8/2017
Rich Homie Quan - Back to the BasicsThe most surprising thing about Back To The Basics is that it's not a comeback, per se - Rich Homie Quan feels no need to re-shape his style to fit a new rap landscape. In fact, on first listen the tape sounds a tiny bit dated - there's no one that sounds quite like Quan, and his shine a couple years back was so all-encompassing that all subsequent work can't help but be of a part with it. Ubiquity can camouflage uniqueness.
continue reading -
6/8/2017
Interview: Laetitia SadierLaetitia Sadier refuses to be pigeonholed. While most famous as the voice of Stereolab (and thus, the 1990's in general), she's spent twenty-odd years exploring the full spectrum of collaborative (with Deerhunter's Bradford Cox, Common, and Tyler, The Creator) and individual (albums from 2010's The Trip onwards) creative dynamics, leaving behind a broad body of work united by a single constant: her unmistakable voice.
continue reading -
6/1/2017
Tennis - Yours ConditionallyI haven’t listened to an indie pop album in years. There are a couple of reasons for this, mostly obvious - I haven’t been in an Urban Outfitters in a minute, the genre kinda sucks, I lack the requisite sunny disposition to really own the fandom. And yet, the temperature moves inexorably towards hot as hell and my tastes shift, feverishly and unpredictably, to match.
continue reading -
6/1/2017
Review: Future - HNDRXXI sometimes wonder if Future has come to regret DS2. Released in July of 2015, the album capped off a year of meteoric ascendance for the man born Nayvadius Wilburn, a monument to the rare feat of capturing commercial and critical success in equal measure. Mixtape by mixtape, Future had erased the public’s memory of Honest, a worthwhile but ultimately panned pop-oriented effort, and replaced it with a new image - a star fallen from grace, ruled by the will of an unchecked id.
continue reading